Review: “The Antipodes” at the Signature Theatre, New York

Word on the street was that Annie Baker’s new play, The Antipodes, was a total bomb. Those new to her work and longtime fans alike are reporting that the work did not succeed in any way. Indeed, at the performance of the play that I attended, there was a cacophony of sighs of irritation during the show and a general sense of discontentment expressed by those milling about the lobby after the play ended. I understand their distaste, even outright animosity, towards the work, but I, for one, found it to be simply extraordinary. It’s a rarified experience, so much so that I would hesitate before actually recommending it to anyone. Those who find that they connect to The Antipodes will never forget it; those who don’t connect will wish they could.

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Review: “John” at the American Conservatory Theatre

What can great theatre, the very best theatre, do to an audience? That answer tends to change depending on the show. We can leave the theatre crying our eyes out, reeling from having our perspectives of the world totally shifted, or nursing our aching stomachs from laughing so hard for so long. But perhaps my own favorite kinds of theatre are the plays that seek to frighten an audience out of their wits. Really effective horror plays like The Pillowman or Bug can make it difficult to sleep at night, but the kind of horror that works even better is designed to scare an audience in a cosmological sense. The 21st century has brought with it a smattering of plays that seek to do this and do so very well, namely plays like The HumansHand to God, or Marjorie Prime—each one terrifying; each one a masterpiece. Perhaps rising above all others in this respect is Annie Baker’s staggering masterwork John, her 2015 follow-up to the Pulitzer Prize-winning The Flick, which is currently being produced in San Francisco through April 23rd by the American Conservatory Theatre.

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Read This: John by Annie Baker

The Theatre Communications Group has just published the readers’ edition of Annie Baker’s new play, entitled John. It is a microscopic work of art, so small as to threaten to disappear. It is also the most quietly devastating and beautiful play to be published in recent memory.

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