How often do people yell in real life? In the past six months, I can only think of about two conversations that have resulted in raised voices that I personally participated in. Keith Josef Adkins, however, would have you believe that the natural colloquy of human beings is loud and emotional. At least, that’s how he presents his characters in his 2014 slavery drama Safe House, a loud and exasperatingly overwrought melodrama that hides its interesting sociopolitical themes in a thick coating of syrupy sentiment.
Imagine in your head the most stereotypical 21st century American play possible. That play that you just imagined Jon Robin Baitz’s Other Desert Cities, a perfectly tasteful and well-assembled yet mostly unexciting family drama that was by some miracle nominated for the 2011 Pulitzer prize for drama. There’s certainly a time and a place for this kind of play, though, and if you’re in the mood for something talky and political, City Lights has mounted a knockout production of the work.