San Francisco Bay Area theatre companies, ever ambitious, have an unusual penchant for developing new work to go hand-in-hand with their productions of newer plays and classic revivals. This lends a level of excitement to companies in the area, making them feel that they are pushing the boundary instead of just holding down the fort. Occasionally, this can produce great work, like Barry Eitel’s unmistakably San Franciscan The Ice Cream Sandwich Incident. But the challenges of world premieres in the stead of producing the greatest shows of the last five years in New York can have its downfall. When companies get their pick of the litter from New York shows, they have a much higher chance of choosing great material, but a new piece is always a shot in the dark.